18 of your last 20
A lesson is done when you can do it reliably, not when you've seen it once. The meter beside every lesson shows how close you are.
Perfect Pitch Lab is a nine-stage ear training course built on sine waves. It starts with which of two notes is higher and goes as deep as the research does: differences of a few cents, melodic dictation, and absolute pitch learned as an adult.
Master a lesson by getting 18 of your last 20 answers right. Every lesson you finish joins your daily review, where it comes back mixed in with the others just as you start to forget it.
Ten minutes a day is the goal. Stage 1 is free with no account.
Ear training has no single finish line, but research gives some useful markers along the way. This is what is known about each depth, and where the course takes you.
People without musical training typically notice pitch differences of roughly 10–25 cents (a cent is 1/100 of a semitone). Trained musicians get down to about 2 cents. In one study, non-musicians reached musician-level thresholds after 4–8 hours of practice. Review
Hearing each note by its role in a key is the core of relative pitch, and it's what most musicians mean by a good ear. It's learnable by anyone, and it transfers to every instrument and every key.
Naming any interval, any common chord and where a chord sits in its key covers the aural skills of a typical university music degree.
Writing down a melody after hearing it is where ear training becomes useful every day: learning songs by ear, transcribing solos. Conservatory courses go on to two- and three-part dictation.
Hearing whether a note is a few cents sharp or flat is the daily skill of string players, singers and tuners. Sine waves suit this well: two slightly mistuned sines beat against each other, and you learn to hear the beating slow down as they come into tune.
Long thought impossible after childhood. In one study, musicians who trained for 25 hours identified on average 7 pitches at 90% accuracy within about 2 seconds (Wong et al.). In another, some adults with strong auditory working memory reached near-genuine performance after months of training and kept it (Van Hedger et al., 2019). Not everyone gets there, so treat this stage as an experiment.
A lesson is done when you can do it reliably, not when you've seen it once. The meter beside every lesson shows how close you are.
Finished material comes back after 1, 2, 4, 8 and 16 days. Miss one and it starts over. Spaced practice beats cramming across most kinds of learning.
Review mixes chords, intervals and degrees in one run, which forces you to work out what you're hearing instead of guessing from the lesson you're in.
When you're wrong, one tap plays what you picked next to what it really was. The difference between two close sounds is what your ear needs to learn.
Turn on Sing it first and the answers wait two seconds while you hum the note or chord. Connecting what you hear to what you can sing is how choirs and conservatories teach.
Fine-pitch lessons use a staircase: the gap shrinks after two right answers and grows after a wrong one, settling near your real threshold. Recognition lessons ask your weak answers more often.
Spacing and interleaving are well established in learning research generally. Direct studies on ear training are few: a study on clarinet practice found interleaving helped, and the course uses both because they're cheap and they don't hurt (Carter & Grahn, 2016).
Stage 1 is free, no account needed. The full course is $3.99 a month, or $39 once to keep it for good.
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